| Clef - |
In sheet music, a symbol at the beginning of the staff defining the pitch of the notes found in that particular staff. |
| Coda - |
Closing section of a movement. |
| Concert master - |
The first violin in an orchestra. |
| Concerto - |
A composition written for a solo instrument. The soloist plays the melody while the orchestra plays the accompaniment. |
| Conductor - |
One who directs a group of performers. The conductor indicates the tempo, phrasing, dynamics, and style by gestures and facial expressions. |
| Consonance - |
Groups of tones that are harmonious when sounded together as in a chord. |
| Contralto - |
Lowest female singing voice. |
| Counterpoint - |
Two or three melodic lines played at the same time. |
| Courante - |
A piece of music written in triple time. Also an old French dance. |
D_______________
Da Capo -
|
In sheet music, an instruction to repeat the beginning of the piece before stopping on the final chord. |
| Deceptive cadence - |
A chord progression that seems to lead to resolving itself on the final chord; but does not. |
| Development - |
Where the musical themes and melodies are developed, written in sonata form. |
| Dissonance - |
Harsh, discordant, and lack of harmony. Also a chord that sounds incomplete until it resolves itself on a harmonious chord. |
| Drone - |
Dull, monotonous tone such as a humming or buzzing sound. Also a bass note held under a melody. |
| Duet - |
A piece of music written for two vocalists or instrumentalists. |
| Dynamics - |
Pertaining to the loudness or softness of a musical composition. Also the symbols in sheet music indicating volume. |
| E________________ |
|
| Elegy - |
An instrumental lament with praise for the dead. |
| Encore - |
A piece of music played at the end of a recital responding to the audiences enthusiastic reaction to the performance, shown by continuous applause. |
| Energico - |
A symbol in sheet music a direction to play energetically. |
| Enharmonic Interval - |
Two notes that differ in name only. The notes occupy the same position. For example: C sharp and D flat. |
| Ensemble - |
The performance of either all instruments of an orchestra or voices in a chorus. |
| Espressivo - |
A direction to play expressively. |
| Etude - |
A musical composition written solely to improve technique. Often performed for artistic interest. |
| Exposition - |
The first section of a movement written in sonata form, introducing the melodies and themes. |
| Expressionism - |
Atonal and violent style used as a means of evoking heightened emotions and states of mind. |
| F________________ |
|
| Falsetto - |
A style of male singing where by partial use of the vocal chords, the voice is able to reach the pitch of a female. |
| Fermata - |
To hold a tone or rest held beyond the written value at the discretion of the performer. |
| Fifth - |
The interval between two notes. Three whole tones and one semitone make up the distance between the two notes. |
| Finale - |
Movement or passage that concludes the musical composition. |
| Flat - |
A symbol indicating that the note is to be diminished by one semitone. |
| Form - |
The structure of a piece of music. |
| Forte - |
A symbol indicating to play loud. |
| Fourth - |
The interval between two notes. Two whole tones and one semitone make up the distance between the two notes. |
| Fugue - |
A composition written for three to six voices. Beginning with the exposition, each voice enters at different times, creating counterpoint with one another. |
| G________________ |
|
| Galliard - |
Music written for a lively French dance for two performers written in triple time. |
| Gavotte - |
A 17th century dance written in Quadruple time, always beginning on the third beat of the measure. |
| Glee - |
Vocal composition written for three or more solo parts, usually without instrumental accompaniment. |
| Glissando - |
Sliding between two notes. |
| Grandioso - |
Word to indicate that the movement or entire composition is to be played grandly. |
| Grave - |
Word to indicate the movement or entire composition is to be played very slow and serious. |
| Grazioso - |
Word to indicate the movement or entire composition is to be played gracefully. |
| Gregorian Chant - |
Singing or chanting in unison without strict rhythm. Collected during the Reign of Pope Gregory VIII for psalms and other other parts of the church service. |
| H________________ |
|
| Harmony - |
Pleasing combination of two or three tones played together in the background while a melody is being played. Harmony also refers to the study of chord progressions. |
| Homophony - |
Music written to be sung or played in unison. |
| Hymn - |
A song of praise and glorification. Most often to honor God. |
| I_________________ |
|
| Impromptu - |
A short piano piece, often improvisational and intimate in character. |
| Instrumentation - |
Arrangement of music for a combined number of instruments. |
| Interlude - |
Piece of instrumental music played between scenes in a play or opera. |
| Intermezzo - |
Short movement or interlude connecting the main parts of the composition. |
| Interpretation - |
The expression the performer brings when playing his instrument. |
| Interval - |
The distance in pitch between two notes. |
| Intonation - |
The manner in which tones are produced with regard to pitch. |
| Introduction - |
The opening section of a piece of music or movement. |
J________________
K_________________ |
|
| Key - |
System of notes or tones based on and named after the key note. |
| Key signature - |
The flats and sharps at the beginning of each staff line indicating the key of music the piece is to be played. |
| Klangfarbenmelodie - |
The technique of altering the tone color of a single note or musical line by changing from one instrument to another in the middle of a note or line. |
| L________________ |
|
| Leading note - |
The seventh note of the scale where there is a strong desire to resolve on the tonic. |
| Legato - |
Word to indicate that the movement or entire composition is to be played smoothly. |
| Leitmotif - |
A musical theme given to a particular idea or main character of an opera. |
| Libretto - |
A book of text containing the words of an opera. |
| Ligature - |
Curved line connecting notes to be sung or played as a phrase. |
| M________________ |
|
| Madrigal - |
A contrapuntal song written for at least three voices, usually without accompaniment. |
| Maestro - |
Refers to any great composer, conductor, or teacher of music. |
| Major - |
One of the two modes of the tonal system. Music written in major keys have a positive affirming character. |
| March - |
A form of music written for marching in two-step time. Originally the march was used for military processions. |
| Measure - |
The unit of measure where the beats on the lines of the staff are divided up into two, three, four beats to a measure. |
| Medley - |
Often used in overtures, a composition that uses passages from other movements of the composition in its entirety. |
| Mezzo - |
The voice between soprano and alto. Also, in sheet music, a direction for the tempo to be played at medium speed. |
| Minor - |
One of the two modes of the tonal system. The minor mode can be identified by the dark, melancholic mood. |
| Minuet - |
Slow and stately dance music written in triple time. |
| Modes - |
Either of the two octave arrangements in modern music. The modes are either major or minor. |
| Modulation - |
To shift to another key. |
| Monotone - |
Repetition of a single tone. |
| Motif - |
Primary theme or subject that is developed.
|
| Movement - |
A separate section of a larger composition. |
| Musette - |
A Boroque dance with a drone-bass. |
| Musicology - |
The study of forms, history, science, and methods of music. |
| N________________ |
|
| Natural - |
A symbol in sheet music that returns a note to its original pitch after it has been augmented or diminished. |
| Neoclassical - |
Movement in music where the characteristics are crisp and direct. |
| Nocturne - |
A musical composition that has a romantic or dreamy character with nocturnal associations. |
| Nonet - |
A composition written for nine instruments. |
| Notation - |
First developed in the 8th century, methods of writing music. |
| O________________ |
|
| Obbligato - |
An extended solo, often accompanying the vocal part of an aria. |
| Octave - |
Eight full tones above the key note where the scale begins and ends. |
| Octet - |
A composition written for eight instruments. |
| Opera - |
A drama where the words are sung instead of spoken. |
| Operetta - |
A short light musical drama. |
| Opus - |
Convenient method of numbering a composer's works where a number follows the word “opus”. For example, Opus 28, No. 4. |
| Oratorio - |
An extended cantata on a sacred subject. |
| Orchestra - |
A large group of instrumentalists playing together. |
| Orchestration - |
Arranging a piece of music for an orchestra. Also, the study of music. |
| Ornaments - |
Tones used to embellish the principal melodic tone. |
| Ostinato - |
A repeated phrase. |
| Overture - |
Introduction to an opera or other large musical work. |
| P________________ |
|
| Parody - |
A composition based on previous work. A common technique used in Medieval and Renaissance music. |
| Part - |
A line in a contrapuntal work performed by an individual voice or instrument. |
| Partial - |
A harmonic given off by a note when it is played. |
| Partita - |
Suite of Baroque dances. |
| Pastoral - |
A composition whose style is simple and idyllic; suggestive of rural scenes. |
| Pentatonic Scale - |
A musical scale having five notes. For example: the five black keys of a keyboard make up a pentatonic scale. |
| Phrase - |
A single line of music played or sung. A musical sentence. |
| Piano - |
An instruction in sheet music to play softly. Abbreviated by a “p”. |
| Pitch - |
The frequency of a note determining how high or low it sounds. |
| Pizzicato - |
String instruments that are picked instead of bowed. |
| Polyphony - |
Combining a number of individual but harmonizing melodies. Also known as counterpoint. |
| Polytonality - |
Combination of two or more keys being played at the same time. |
| Portamento - |
A mild glissando between two notes for an expressive effect. |
| Prelude - |
A short piece originally preceded by a more substantial work, also an orchestral introduction to opera, however not lengthy enough to be considered an overture. |
| Presto - |
A direction in sheet music indicating the tempo is to be very fast. |
| Progression - |
The movement of chords in succession. |
| Q_______________ |
|
| Quadrille - |
A 19th century square dance written for 4 couples. |
| Quartet - |
A set of four musicians who perform a composition written for four parts. |
| Quintet - |
A set of five musicians who perform a composition written for five parts. |
| R_______________ |
|
| Recapitulation - |
A reprise. |
| Recital - |
A solo concert with or without accompaniment. |
| Recitative - |
A form of writing for vocals that is close to the manner of speech and is rhythmically free. |
| Reed - |
The piece of cane in wind instruments. The players cause vibrations by blowing through it in order to produce sound. |
| Refrain - |
A repeating phrase that is played at the end of each verse in the song. |
| Register - |
A portion of the range of the instrument or voice. |
| Relative major and minor - |
The major and minor keys that share the same notes in that key. For example: A minor shares the same note as C major. |
| Relative pitch - |
Ability to determine the pitch of a note as it relates to the notes that precede and follow it. |
Renaissance -
|
A period in history dating from the 14th to 16th centuries. This period signified the rebirth of music, art, and literature. |
| Reprise - |
To repeat a previous part of a composition generally after other music has been played. |
| Requiem - |
A dirge, hymn, or musical service for the repose of the dead. |
| Resonance - |
When several strings are tuned to harmonically related pitches, all strings vibrate when only one of the strings is struck. |
| Rhythm - |
The element of music pertaining to time, played as a grouping of notes into accented and unaccented beats. |
| Ricercar - |
Elaborate polyphonic composition of the Boroque and Renaissance periods. |
| Rigaudon - |
A quick 20th century dance written in double time. |
| Rococo - |
A musical style characterized as excessive, ornamental, and trivial. |
| Romantic - |
A period in history during the 18th and early 19th centuries where the focus shifted from the neoclassical style to an emotional, expressive, and imaginative style. |
| Rondo - |
A musical form where the principal theme is repeated several times. The rondo was often used for the final movements of classical sonata form works. |
| Root - |
The principal note of a triad. |
| Round - |
A canon where the melody is sung in two or more voices. After the first voice begins, the next voice starts singing after a couple of measures are played in the preceding voice. All parts repeat continuously. |
| Rubato - |
An important characteristic of the Romantic period. It is a style where the strict tempo is temporarily abandoned for a more emotional tone. |
| S_______________ |
|
| Scale - |
Successive notes of a key or mode either ascending or descending. |
| Scherzo - |
Pertaining to the sonata form, a fast movement in triple time. |
| Scordatura - |
The retuning of a stringed instrument in order to play notes below the ordinary range of the instrument or to produce an usual tone color. |
| Septet - |
A set of seven musicians who perform a composition written for seven parts. |
| Sequence - |
A successive transposition and repetition of a phrase at different pitches. |
| Serenade - |
A lighthearted piece, written in several movements, usually as background music for a social function. |
| Sextet - |
A set of six musicians who perform a composition written for six parts. |
| Sharp - |
A symbol indicating the note is to be raised by one semitone. |
| Slide - |
A glissando or portamento. Also refers to the moving part of a trombone. |
| Slur - |
A curve over notes to indicate that a phrase is to be played legato. |
| Sonata - |
Music of a particular form consisting of four movements. Each of the movements differ in tempo, rhythm, and melody; but are held together by subject and style. |
| Sonata form - |
A complex piece of music. Usually the first movement of the piece serving as the exposition, a development, or recapitulation. |
| Sonatina - |
A short or brief sonata. |
| Song cycle - |
A sequence of songs, perhaps on a single theme, or with texts by one poet, or having continuos narrative. |
| Soprano - |
The highest female voice. |
| Staccato - |
Short detached notes, as opposed to legato. |
| Staff - |
Made up of five horizontal parallel lines and the spaces between them on which musical notation is written. |
| Stretto - |
Pertaining to the fugue, the overlapping of the same theme or motif by two or more voices a few beats apart. |
| String Quartet - |
A group of 4 instruments, two violins, a viola, and cello. |
| Suite - |
A loose collection of instrumental compositions. |
| Symphony - |
Three to four movement orchestral piece, generally in sonata form. |
| System - |
A combination of two or more staves on which all the notes are vertically aligned and performed simultaneously in differing registers and instruments. |
| T_______________ |
|
| Tablature - |
A system of notation for stringed instruments. The notes are indicated by the finger positions. |
| Temperament - |
Refers to the tuning of an instrument. |
| Tempo - |
Indicating speed. |
Tessitura -
|
The range of an instrumental or a vocal part. |
| Theme - |
A melodic or, sometimes a harmonic idea presented in a musical form. |
| Timbre - |
Tone color, quality of sound that distinguishes one verse or instrument to another. It is determined by the harmonies of sound. |
| Time Signature - |
A numeric symbol in sheet music determining the number of beats to a measure. |
| Tonal - |
Pertains to tone or tones. |
| Tonality - |
The tonal characteristics determined by the relationship of the notes to the tone. |
| Tone - |
The intonation, pitch, and modulation of a composition expressing the meaning, feeling, or attitude of the music. |
| Tone less - |
Unmusical, without tone. |
| Tonic - |
The first tone of a scale also known as a keynote. |
| Treble - |
The playing or singing the upper half of the vocal range. Also the highest voice in choral singing. |
| Tremolo - |
Quick repetition of the same note or the rapid alternation between two notes. |
| Triad - |
Three note chords consisting of a root, third, and fifth. |
| Trill - |
Rapid alternation between notes that are a half tone or whole tone apart. |
| Trio - |
A composition written for three voices and instruments performed by three
persons. |
| Triple time - |
Time signature with three beats to the measure. |
| Triplet - |
Three notes played in the same amount of time as one or two beats. |
| Tritone - |
A chord comprised of three whole tones resulting in an augmented fourth or diminished fifth. |
| Tune - |
A rhythmic succession of musical tones, a melody for instruments and voices. |
| Tuning - |
The raising and lowering a pitch of an instrument to produce the correct tone of a note. |
| Tutee - |
Passage for the entire ensemble or orchestra without a soloist. |
| Twelve-tone music - |
Music composed such that each note is used the same number of times. |
| U_______________ |
|
| Unison - |
Two or more voices or instruments playing the same note simultaneously. |
| V_______________ |
|
| Verismo - |
A form of Italian opera beginning at the end of the 19th century. The setting is contemporary to the composer's own time, and the characters are modeled after every day life. |
| Vibrato - |
Creating variation pitch in a note by quickly alternating between notes. |
| Virtuoso - |
A person with notable technical skill in the performance of music. |
| Vivace - |
Direction to performer to play a composition in a brisk, lively, and spirited manner. |
| Voice - |
One of two or more parts in polyphonic music. Voice refers to instrumental parts as well as the singing voice. |
| W_______________ |
|
| Waltz - |
A dance written in triple time, where the accent falls on the first beat of each measure. |
| Whole note - |
A whole note is equal to 2 half notes, 4 quarter notes, 8 sixteenth notes, etc. |
| Whole-tone scale - |
A scale consisting of only whole-tone notes. Such a scale consists of only 6 notes. |